A mill sketch in watercolour and below is the photograph that I
am
painting from, it is of a mill and cottages.
I
started off drawing the scene out in pencil, sketching in the directional
sides of the banks leading into the centre of interest which obviously
is the mill and cottages.
More
of the cottages are drawn in and you can see in the photograph of the
scene (above) that the apex of the small cottage in front of the larger
mill touches the gable end of the larger mill, this looks and feels insensitive. Here I have highered the mill so it
doesn't touch the guttering so there is a gap which gives
more of a feeling of spaciousness..

A mix of ultramarine blue, alizarin crimson and a touch of yellow
ochre is used for the sky area and then I dried my brush and pulled out
lights for the clouds. A yellow ochre and burnt umber has been used for
the roofs.

A light cadmium red has been used for the buildings and chimney and
they
have been just roughly painting in for now.

A light yellow ochre is painted in for the lights and ultramarine blue
and cadmium yellow for the greens of the banks. The reflections from the
buildings were painted in using wet in wet painting leaving harder edges
towards the foreground.
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