Joshua Reynolds
history (1723-92) an English painter whose art satisfied the elegant society of eighteenth century England-Sir Joshua Reynolds.
 Unlike Hogarth, Reynolds had been to Italy and had come to agree with the connoisseurs of his time that the great masters of the Italian renaissance - Raphael, Michelangelo, Correggio - were the unrivalled exemplars of true art.
In 1749 Reynolds sailed for Italy as the guest of Commodore
Augustus Keppel. In Rome, Reynolds studied the Old Masters
with a single-mindedness unmatched by any earlier English
painter. His only diversion was a small number of caricature
paintings in the manner of his fellow Devonian Thomas Patch.
Raphael was Reynolds's hero, but on his way back to England
he visited northern Italy and came under the spell of the
Venetian painters and Correggio.
Reynolds's main types of
portraiture commemorate naval and military heroes, civil and
ecclesiastical dignitaries, the English landowning oligarchy
in both its public and private aspects, actors and
actresses, and children in fanciful roles, related in their
vein of sentiment to "fancy pictures" like the Age of
Innocence (1788). His most ambitious translation of a
subject picture into a portrait is the group of the
daughters of Sir William Montgomery, the Graces Adorning a
Term of Hymen (1774), a Miltonian bridal masque in which the
rite of worship to the God of Wedlock is performed by three
famous beauties, one recently married, another preparing for
marriage, and the third still to be betrothed. Among the
finest of his heroicized military portraits in a battle
setting are Colonel Banastre Tarleton (1782) and George
Augustus Eliott, Lord Heathfield (1788).
Reynolds exhibited regularly at the Society of Artists,
and he was named the first president of the Royal Academy of
Arts in 1768. As his eminence grew, he was knighted in 1769,
and in 1784 he was appointed principal royal portrait
painter. Sir Joshua Reynolds died on February 23, 1792, and
was buried in St. Paul's Cathedral.
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