Great drawing artists of the past include Leonardo da Vinci, Durer,
Michelangelo, Raphael, Rembrandt, Rubens and Cezanne, among other
artists but to me these were the greatest artists of all time. They
understood drawing no matter what they drew, whether it was a tree, a
figure or a scene, they paved the way for all up and coming artists
through the way they depicted form, chiaroscuro and line.
Leonardo da Vinci
Trained as an artist during the Renaissance and became a true master of
his craft. His amazing powers of observation and skill as an illustrator
enabled him to notice and recreate the effects he saw in nature, and
added a special liveliness to his portraits. Curious as well as
observant, he constantly tried to explain what he saw and described many
experiments to test his ideas. Because he wrote down and sketched so
many of his observations in his notebooks, we know that he was among the
very first to take a scientific approach towards understanding how our
world works and how we see it.
See Leonardo Da Vinci
drawings
Durer
He painted the first self portraits in the history of art
starting with a pencil sketch when he was 13 years old and he drew the
first landscapes from life but previously these landscape drawings were
mere inventions used as backgrounds for his portraits. His creative and
intellectual powers along with his prodigious belief in his own talents
permitted him to cast a new mold for the artist, a mold which
represented a watershed in the history of civilization and to which
artists are still indebted today. See
Durer drawings
Michelangelo
His artistic talent revealed itself early in his life, often to his
family's dismay. His precocious drawings would occasionally elicit
beatings from his father who wished to persuade the youth to follow a
more honourable and lucrative profession than that of an artist.
Fortunately, Michelangelo's stubborn refusal to abandon his talent
persuaded his father to apprentice him to a Florentine artist at age
fourteen. Mankind was awarded a creative talent whose genius was
recognized not only in his own time, but in the generations to follow.
See
Michelangelo drawings
Raphael
He was one of the finest draftsmen in the history of Western art, and
used drawings extensively to plan his compositions. According to a
near-contemporary, when beginning to plan a composition, he would lay
out a large number of stock drawings of his on the floor, and begin to
draw "rapidly", borrowing figures from here and there. Over forty
sketches survive for the Disputa in the Stanze, and there may well have
been many more originally; over four hundred sheets survive altogether.
See Raphael drawings
Rembrandt
More than 150 drawings mostly illustrated in
colour made during every phase of his activity
are divided by subject into sixteen chapters:
Self-portraits; Religious Subjects; Landscapes
and so forth. Rembrandt himself kept many of his
own drawings of different subjects in separate
portfolios and books, so grouping his drawings
by subject clarifies Rembrandt’s astonishing
range as a draughtsman. See
Rembrandt
drawings
Rubens
In addition to his talents as a painter, Rubens
was also an equally gifted draftsman. And while
his paintings are indeed rewarding for the
viewer, his drawings are engaging as well as
imaginative. His drawings served several
important purposes: preliminary studies for
commissioned paintings, prints, or personal
sketches of immediate family members.
See Rubens
drawings
Cezanne
Studied drawing at 15 years old
at the local drawing academy, then at the proper
time entered law school. He eventually convinced
his father to allow him to go to Paris to paint
where he attended sessions with a live model. He
showed no particular aptitude for drawing up to
this point. At this time at the academies in
Europe, art in general, and drawing in
particular were taught with much academicism,
which means that strict rules were followed with
regard to anatomical accuracy and the proper
means of instruction. From the start Cezanne did
not fit into this mold. See
Cezanne
drawings
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